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30/12/2025 by Chilemúsica chilemusica, industria musical chilena chilemusica, marcasectorial, prochile

Nine events, five countries and a sustained agenda: Chilemúsica connects chilean music with leading international markets in 2025

In 2025, Chilemúsica consolidated an internationalization agenda in constant motion, strengthening connections with international markets through concrete actions in promotion, professional networking and collaboration, with a clear focus on measurable results for the Chilean music sector.

2025 IN NUMBERS

During 2025, Chilemúsica participated in 9 international events across 5 countries, representing an 12,5% increase compared to 2024. The agenda included markets and fairs such as FIM GDL, jazzahead!, BIME Bogotá, Classical:NEXT, Circulart, BOmm, WOMEX, BIME y Monkey Week, covering circuits of popular music, world music, jazz and classical music. These actions enabled the participation of 120 Chilean companies (a 34% increase compared to 2024) and 15 Chilean artists (a 50% increase year-on-year), through networking, showcases, B2B meetings, communication campaigns and music + wine activations.

CHILE: TERRUÑO SÓNICO – INITIAL STAGE

In 2025, Chilemúsica launched and developed the initial stage of Chile: Terruño Sónico, a platform that integrates music, wine and territory as a tool for international positioning and professional networking. The project was activated in strategic industry contexts, including its international launch at BOmm as well as networking and hospitality actions at fairs and markets such as BIME, WOMEX and Circulart. This stage made it possible to test formats, validate interest from international agents and articulate links between the music, wine and tourism sectors.

PRESENCE AT NATIONAL EVENTS 2025

The international agenda was complemented by active participation in key national events within the music and creative ecosystem. During 2025, Chilemúsica was present at Marejada (San Antonio), +CREA Turismo (Santa Cruz), Safari Sonoro (Navidad), Isla Sonora (Chiloé), Rockódromo (Valparaíso), Feria de la Música Pulsar (Santiago) and Fluvial (Valdivia), strengthening territorial articulation and connections between sector stakeholders.

2026 OUTLOOK: CONFIRMED INTERNATIONAL AGENDA

The work carried out during 2025 lays the groundwork for a new cycle of internationalization. For 2026, Chilemúsica has an agenda that will continue positioning Chilean music internationally, deepen relationships in priority markets and expand its presence in specialized circuits, incorporating greater genre diversification. This includes metal through WTF Capital of Metal (Finland) and electronic music through ADE – Amsterdam Dance Event (Netherlands), alongside jazz and classical music circuits developed during 2024 and 2025, and the popular music and world music circuits that Chilemúsica has been developing in a sustained manner for more than six years.

FAIRS AND MARKETS FOR 2026

FIM GDL February 25–28, Guadalajara, Mexico
Classical:NEXT April 8–11, Budapest, Hungary
jazzahead! April 23–25, Bremen, Germany
BIME PRO Bogotá Bogotá – May 5–7, Bogotá, Colombia
Circulart June 4–7, Medellín, Colombia
WTF Capital of Metal August 5–7, Helsinki, Finland
BOmm September 8–11, Bogotá, Colombia
WOMEX October 21–25, Gran Canaria, Spain
ADE – Amsterdam Dance Event October 21–25, Amsterdam, Netherlands
BIME PRO Bilbao October 27–30, Bilbao, Spain
Monkey Week  November 19–21, El Puerto de Santa María, Spain

With this balance, Chilemúsica closes 2025 and looks ahead to 2026 with an agenda already underway, open to new collaborations that strengthen the international projection of Chilean music. Thank you to everyone who has been part of this journey. We wish you a happy new year!

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We are Chilemúsica, the sector brand that promotes the Chilean music industry abroad. Created through the joint efforts of the Chilean Independent Music Industry Association (IMICHILE), ProChile , and the Ministry of Cultures, Arts and Heritage, Chilemúsica focuses on supporting the export of Chilean music to international markets.

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